Tuesday, February 14, 2017

Analyzing Azerbaijan's Eurovision Entries from 2011-2015

          Eurovision is a singing contest where the countries of western Europe, eastern Europe, and a few other regions of the world gather to battle it out in a contest of musical prowess. This is a lighthearted contest that draws the world’s attention. Eurovision aims to show unity, but it is actually a political bout full of hidden meaning. Each song can carry significant meaning even if it isn’t blatantly said. Oftentimes, countries will submit songs that have hidden messages towards other countries. Using these method countries can get out different opinions, on a public platform. Even if someone claimed the meaning of a song, there is no proof as it is all subjective. These songs use strong symbolism, imagery, and allegorical themes to bring a deep experience to the viewer. Additionally, these songs are broadcast to Europe. This means that there is a language barrier, so the singers have to convey the songs meaning in many ways. Azerbaijan is no exception to this rule. Over the past five years Azerbaijan has had a fair share of these symbolic songs.
From 2011 to 2015, Azerbaijan had five interesting performances. The first three years I'll be looking at all have a general theme of love. This does not mean that the songs have no meaning. In fact, Azerbaijan shows multiple types of love including DESPERATION, LOSS, AND BOUND PASTS. Since the Eurovision Song Contest is a contest made for subliminal messages, it is unusual to miss out on the opportunity by singing a love song.
In 2011 Azerbaijan’s Ell and Nikki delivered a song called “Running Scared” (2011), in which they sing about the desperation that comes from an unbalanced relationship.
At first it seems as if this song has no deeper meaning than the love between the performers, but it is clear from the direction the singers face and the lyrics that this is false. In the opening, the singers and backup dancers are standing in unison, alluding to its necessity in a relationship. Unity brings stability and understanding, but as the singers start, they face away from each other and separate showing their weak unity. The first verse has a line saying, “I just wanna be, be around you all the time… Oh god I need you.” Ell is singing to Nikki about how much he wants her. This shows how desperate he is for her. Nikki is almost running away from Ell this entire performance. The chorus includes being scared of Tonight, and Life. If all Ell is seeking is emotional stability because he is “Running Scared.” “Running Scared” may even denote how he feels when he isn’t with her, meaning that he is afraid of losing her. Ell goes on to sing, “what I wouldn’t give away. To be [your] shelter and keep you safe.” As he sings this, he captures Nikki and holds her face forcing her to comply with his desperation. This isn’t the only song with love as its theme. This trend of love continues in 2012.
In 2012 Sabina Babayeva took the stage with “When The Music Dies” (2012), in which she sings about love and loss. This love song brings a more ominous and dark theme opening with dark blue lights on Sabina’s body and fog machines. Suddenly, lights turn on and a sea of red floods the back screen. Red is symbolic of love, disappointment, anger, and confusion. The singer herself is dressed in a white dress, which may signify purity, but not so much. At different points her dress turns red turning her into a lost lover void of the purity she once had. Sabina’s song is about emotions that come after a breakup. She sings, “I tried to keep us alive… I still wanna keep us alive.” This means she was in a relationship that didn’t work out, but she wanted to get back together. As the song continues it gets progressively more intense, which shows the deep emotional pit she is in. Towards the end a Mugham traditional Azerbaijani singer layers his voice into the final moments of the performance. This deepens the emotional effect and pays homage to the culture. This song gives off a more intense feeling of betrayal and love and is a lot less lofty than the previous year.
In 2013 Farid Mammadov performed “Hold Me” (2013), a love song about bound pasts.  This love song puts forth a more emotionally scarred theme. Farid is a man who goes through different emotional stages throughout the song. In the beginning he is single and is dancing with his shadow. The shadow’s movements are robotic as if the choreography wanted to invoke the feeling of mindlessness. A woman in a red dress with an extremely long train walks onto the stage up to the shadow. Both Farid and the woman touch the box releasing rose petals. The shadow fights against the rose petals showing unhealthy that relationship was. In the last chorus the woman and the shadow start dancing together as if the woman wants Farid’s old self. He says, “You said I was your fantasy… unchain my soul.” This proves that the woman was looking for something that wasn't there anymore.  She tried forcing him to be something that he was not. This version of a love story was more about the inner working of the singer’s heart, rather than an idealistic relationship. After this third year, Azerbaijan broke away from the romantic vibe.
In 2014 Dilara Kazimova performed her ballad “Start A Fire” (2014), a moving activism song. The camera starts in a position behind her, to surprise the audience with the voice and face of the singer. A trapeze artist is revealed and Dilara continues to sing through the first two verses. She sings, “But no one sees the bitter cold and shivering empty hands.” This represents people begging for money and people who are homeless. During these first two verses the background is a bright star. The star is the wishes, gathering hearts, and dreams of the people of Azerbaijan. As soon as the first chorus starts the background changes to stained glass windows, which are symbolic of a cathedral. Almost immediately after that the scene changes to a large city. Cities denote the development of a country. This means this imagery shows hope for the future growth of Azerbaijan into utopia. The scene changes for a fourth time into crystals. The crystals have an allegorical meaning of the precious nature of the “eager, bold and noble” who fight for freedom. Crystals are precious and rare and so is the will to fight for change. Lastly, the scene changes into a red fury, which can only be imagery of starting a fire. This song is all about the determination of humanity to make change. They build and create structures and help those around them. After singing her song Dilara says, “make love not war.” This certainly brings her performance together as a call to humanity to work together for change.
In 2015 Elnur Huseynov graced Eurovision with “Hour Of The Wolf” (2015) seizing the moment. He is paired with two interpretive dancers who imitate wolves.  This performance starts with a solar eclipse as the background. Solar eclipses happen when the moon comes between the sun and the earth, as if the sun has been blotted out of the sky. This eventually changes to a lunar eclipse showing a red moon. The dancers begin to “fight” with each other in this time of desperation. Their costumes have an external spine as if they are being controlled like puppets. To their surprise the moon turns into a bright full moon showing that a new day came and went. This song is about not giving up on finding peace. Elnur sings, “I feel brave yet scared, but I’ll stay prepared.” He’s looking for an answer and he “won’t sleep” until there is change. In small moments we can feel desperate and confused by our circumstances like the moon's changing phases. It is impossible to make change if it is ignored, so we have to stay course and not stop the fight.
According to the Eurovision website all of the performers in the five years I analyzed are from Baku, Azerbaijan (Eurovision.tv). This is interesting because it shows that Azerbaijan has a pride in their own people. This is quite representative of the country as a whole because the country holds an extreme majority of Azerbaijani citizens. Race is not the only piece of a diverse environment. In fact, Azerbaijan has had diversity under gender too. The performances trade-off between male and female performers. This shows how progressive they are as a country. Lastly, Azerbaijan lacks in diversity with the experience of its singers. According to the Eurovision website all of the singers from these five years started from a young age. Almost as if they were manufactured. Azerbaijan does a great job diversity, lacking only in some areas.
As you can see, this is not simply a song contest, but a battle of ideals and representations of each country. In Azerbaijan’s case, they use a mix of messages. Their love songs show deep emotions of desperation, love and bound pasts. The songs by Dilara and Elnur have a clear theme of change using activism and seizing the moment to back it up. In addition to the themes the strong sense of diversity drives these performances. As a country Azerbaijan itself has been through extreme changes over the last few decades, so showing their continued will to change and diversity is important. It shows Europe how they can and will aim for greatness. Through their varying performances and themes of love and change Azerbaijan has put themselves in the view of the world, proudly displaying who they are as a country.

Word Count: 1634

Works Cited

Elli/Nikki. “Running Scared,” music and lyrics by Stefan Orn, Sandra Bjurman, and lain James Farquharson. Azerbaijan, Eurovision Song Contest, 2011. https://www.youtube.com/watch?v=_0tlQUW5X0U Accessed 12 Feb. 2017.
Babayeva, Sabina. “When the Music Dies,” music and lyrics by Anders Bagge, Johan Kronlund, Sandra Bjurman, and Stefan Orn. Azerbaijan, Eurovision Song Contest, 2012. https://www.youtube.com/watch?v=yzT7O3Fnwpk Accessed 12 Feb. 2017.
"Eurovision.tv." Eurovision.tv. N.p., n.d. Web. 14 Feb. 2017. http://www.eurovision.tv/page/timeline
Mammadov, Farid. “Hold Me,” music and lyrics by Dimitrios Kontopoulos, John Ballard, Ralph Charlie, and Al Fahel. Azerbaijan, Eurovision Song Contest, 2013. https://www.youtube.com/watch?v=iN3d_V7KVLE Accessed 12 Feb. 2017.
Kazimova, Dilara. “Start A Fire,” music and lyrics by Stephan Orn, Johan Kronlund, and Alessandra Gunthardt. Azerbaijan, Eurovision Song Contest, 2014. https://www.youtube.com/watch?v=5mPUMPcFQAY Accessed 12 Feb. 2017.

Huseynov, Elnur. “Hour Of The Wolf,” music and lyrics by Nicolas Rebscher, Nicklas Lif, Lina Hansson, and Sandra Bjurman. Azerbaijan, Eurovision Song Contest, 2015. https://www.youtube.com/watch?v=IcVrAFtc5YI Accessed 12 Feb. 2017.